Author: artoronto

  • Urban Angels by Matthew Kudelka


    May 3- 27, 2012

    Opening: Saturday, May 5, 2 – 5 p.m.
    DAVID KAYE GALLERY
    1092 Queen Street West
    (entrance on Dovercourt)
    Toronto, ON M6J 1H9
    T: 416.532.9075
    E: info@davidkayegallery.com
    www.davidkayegallery.com
    Hours: Wed – Fri 11 – 6, Sat – Sun 11 –  5 p.m.

    Matthew Kudelka conducts an archaeology of the modern city. His prints reflect the urban as he encounters it directly. He chooses moments and transforms them in ways that destabilize the viewer’s expectations of their environment, emphasizing mood rather than polemic in an effort to ensure that viewers will see and absorb the familiar in ways they otherwise would not. His prints are only incidentally beautiful, demanding active thought rather than passive contemplation. He seeks out accurate portrayals of the places he knows best, which through his transformations engender moments that are both commonplace and unrepeatable. His subjects rise  from the street and linger without dissipating. Figure and ground are inseparable and could not be otherwise. They are all always embedded in his experience of the city, never in contrast to or contradistinction from it. (East  Gallery)

  • Visual Music & the Act of Listening by Jim Tubb

    May 3 – 27, 2012

    Opening: Saturday, May 5, 2 – 5 p.m.
    DAVID KAYE GALLERY
    1092 Queen Street West
    (entrance on Dovercourt)
    Toronto, ON M6J 1H9
    T: 416.532.9075
    E: info@davidkayegallery.com
    www.davidkayegallery.com

    Jim Tubb’s pure-abstract  paintings are based on musical compositions, composers, and performers. Some of  the paintings express the characteristics of the music, while others refer to the ‘personality’ of the composer or performer.

    In this series he has set out to capture the light, colour, texture and atmospheric effect of the music. His idea is to show art that discards symbolism for abstraction and that he does most  admirably. (West Gallery)

  • Field by Donald Andrus


    March 29 – April 29, 2012
    Opening: Saturday, March 31, 2 – 5 p.m.
    DAVID KAYE GALLERY
    1092 Queen Street West
    (entrance on Dovercourt)
    Toronto, ON M6J 1H9
    T: 416.532.9075
    E: info@davidkayegallery.com
    www.davidkayegallery.com

    Gallery  Hours: Mon – Tue by  appointment, Wed – Fri 11 – 6, Sat – Sun 11 –  5 p.m.

    In the  latest of an ongoing series titled FIELD, Donald Andrus investigates the  nature of abstractionism in painting today: “These works straddle gaps  between the traditional and the contemporary, abstract expressionism and conceptualism, the theoretical and the sublime. By intentionallyswitching between these questions Andrus creates a largely unstable but expansively open field for his art.” Jon Tupper, Director of the Art  Gallery of Greater Victoria. (West Gallery)

  • Heffel’s 2012 Spring Auction

    April 26 – May 17, 2012
    Montreal Preview: April 26 – 28, Galerie Heffel Montreal, 1840 Sherbrooke Street West
    Toronto Preview: 
    May 3 – 5, Heffel Gallery Toronto, 13 Hazelton Avenue
    Vancouver Preview: 
    May 12 – 16, Heffel Gallery Vancouver, 2247 Granville Street
    Live Auction: Thursday, May 17, 2012

    4:00 pm PST, Canadian Post-War & Contemporary Art
    7:00 pm PST, Fine Canadian Art

    Heffel’s 2012 Spring Auction will present rare and extraordinary Canadian masterpieces from coast to coast. Led by seminal works by Emily Carr, Lawren Harris and Jean Paul Lemieux, this auction, expected to achieve between $9 and $12 million, also features important works from all the original members of the Group of Seven up to Contemporary Art.

    Previews to be held in Montreal, Toronto and Vancouver, in advance of the live auction in Vancouver on May 17, will display works that have not been seen by the public for generations.

    Heffel Fine Art Auction House is thrilled to announce a spectacular Spring collection of Canadian art to be auctioned on May 17 in Vancouver, presenting works from across our great nation, many of which have not been displayed publicly in decades. With over 30 auctions to date, Heffel is the undisputed leader of Canadian art at auction, having sold over a quarter of a billion dollars in art. This Spring, the 185 lots are expected to achieve between $9 and $12 million, according to conservative estimates. If projections hold, the Heffel Spring 2012 auction will place within the top 10 grossing auctions of Canadian art of all time, all ten of which were conducted by Heffel. The most recent Fall 2011 auction surpassed all expectations, totaling $16.8 million in sales.

    West Coast Art at the forefront

    It is fitting that this season’s auction takes place in Vancouver given the number of noteworthy West Coast-based artists. Leading the way is Emily Carr, who, along with Frida Kahlo and Georgia O’Keefe, is widely considered to be one of North America’s most influential female artists. Among the eight works on offer is Eagle Totem, considered one of the rarest treasures in Canadian art given that it is a mature period oil on canvas with First Nations subject matter. Heffel is also presenting War Canoes, Alert Bay, a watercolour that is the basis for her spectacular oil of the same name, currently in the Audain collection. Earlier this year, Heffel sold a similar Carr watercolour, War Canoe, Alert Bay, for $1.228 million, making it the most valuable Canadian watercolour ever sold at auction. Heffel is no stranger to breaking Emily Carr records, having sold eight of the top-ten priced works by this artist.

    E.J. Hughes, Englewood, 1951. Oil on canvas. 25″ x 32″

    Other West Coast artists of note include E.J. Hughes, whose masterwork Englewood includes a personalized letter from the artistdated 1989 explaining how he came to paint the work (he was nominated by Lawren Harris for an Emily Carr Scholarship). He wrote “I hope that as the years go by, you will get much more pleasure from your painting, and that you will notice different little things about it every time you see it.”

    Also featured are Receding Tide, Departure Bay, a superb Hughes coastal scene, and The Nanaimo
    Bastion
    , based on one of the oldest buildings in British Columbia, built by the Hudson’s Bay Company.

    Bertram Charles (B.C.) Binning, Two Ships Standing Off, 1948. Oil on board. 14″ x 7 1/8″

    Bertram Charles (B.C.) Binning, the pioneer West Coast modernist, was not only an internationally recognized painter but also head of the Fine Arts Department at the University of British Columbia and an architectural designer. Bold works, including Two Ships Standing Off and Vacant and Occupied Squares, will be up for auction.

    Gordon Smith, White Painting #2, 1960. 35″ x 48″

    At 92, Gordon Smith is considered British Columbia’s greatest living artist, and has nine exceptional paintings in the sale. From his 1960 masterwork White Painting #2 up to the circa
    1990 Houlgate Creek, the works in the auction span his artistic career showing his balance between pure abstraction and the depiction of the British Columbia landscape through his physical and emotional act of painting.

    Lemieux and the Quebec Automatists dominate

    Jean Paul Lemieux will also be represented with an impressive seven works at the auction this Spring. In the Fall, Heffel made news around the globe by auctioning Nineteen Ten Remembered, one of the most iconic images in Canadian art, for a record shattering CAD $2.34 million, setting national and worldwide records for post-war and contemporary Canadian art sold at auction. For the Spring, Heffel presents La plage américaine, another quintessential Lemieux painting featuring his iconic characters in mysterious interactions. Other works on auction include Le
    mois de juin, a rich rural portrait as well as Monseigneur, one of his iconic religious portraits. Lemieux, now dubbed “Canada’s Latest Two-Million-Dollar Man”, continues to command record-breaking prices around the globe. Heffel is also presenting captivating works at prices accessible to first-time collectors.

    Paul-Émile Borduas, Jeunesse, 1956. Oil on canvas, 20″ x 24″

    Paul-Émile Borduas, another Quebec legend, has four works on offer, including Jeunesse, which was heralded by a Montreal critic in 1957 for its masterful manipulation of white paint. Heffel is also offering one of Borduas’s copies of Refus global, the 1948 manifesto by the Montreal-based Automatist artists that many believe helped shape modern Quebec culture (and also resulted in Borduas being fired from his teaching position). Other Automatist artists on offer at this auction include a spectacularly large painting by Marcelle Ferron, several works by Jean-Paul Riopelle, and two extremely unique works by Jean-Paul Armand Mousseau.

    Museum quality works by the Group of Seven

    Lawren Harris, Lake Superior, 1928. Oil on board, 12″ x 15″

    Lawren Harris continues to dominate at auction, and Heffel is pleased to offer ten exceptional works by the artist this Spring. Heffel is most excited about the triumphant return to Canada of Harris’ Lake Superior, a sketch for a canvas in the collection of the Hood Museum of Art at Dartmouth College, New Hampshire. After visiting the blockbuster UK exhibit Tom Thomson and the Group of Seven at London’s Dulwich Picture Gallery, the British consignors realized the true
    significance of this valuable work, which had humbly hung in their home for many years. Another Harris of note is Building the Ice House, Hamilton, a reminder that Harris not only excelled at
    painting the wilderness but also captured the urban landscape of Canada’s cities. Along with Harris, a total of 36 works by the original members of the Group of Seven are on auction including Franklin Carmichael, Frank Johnston, Arthur Lismer, J.E.H. MacDonald, and Frederick Varley.

    A.Y. Jackson, Morning, Great Bear Lake, 1938. Oil on canvas, 28″ x 36″

    Among A.Y. Jackson’s ten works is Morning, Great Bear Lake, considered to be among his finest. Early Autumn, Montreal River, Algoma, one of J.E.H. Macdonald’s three works on auction, is the Heffel catalogue cover image.

    Helen Galloway McNicoll, Easter Lilies, 1907. Oil on canvas, 21 1/4″ x 17 1/8″

    Other Ontario artists of note include Helen Galloway McNicoll, a Canadian Impressionist painter who died prematurely and has been the focus of multiple recent exhibits. Known for her paintings of children, this is the first time that Easter Lilies, one of the best examples of this subject, has ever been offered on the market.

    Christopher Pratt leads strong East Coast representation

    Christopher Pratt, Landing, 1973. Oil on board, 30″ x 38″

    Newfoundland’s Christopher Pratt is one of Canada’s most recognized and acclaimed living artists. With Landing, Heffel presents one of his most important works that focuses on his passion for architecture. Heffel is also presenting some very interesting preliminary sketches by renowned East Coast master Alex Colville for some of his important works including Study for Woman, Dog & Canoe and Study for Laser. Heffel currently holds the title for the highest value ever achieved in Canada at an auction for a work by a living Canadian painter for an Alex Colville painting entitled Man on Verandah, sold in November 2010 for $1.287 million.

    Two separate sessions that span the history of Canadian Art

    The Heffel Spring auction is presented in two separate sessions: Canadian Post-War & Contemporary Art at 4:00 pm, followed by the Fine Canadian Art session at 7:00 pm. Heffel was the first auction house in Canada to split historical and contemporary Canadian art into separate sales and is the only one that produces separate catalogues for each session.

    To give interested buyers from across Canada a chance to view these extraordinary works, many on display for the first time in generations, the collection is being previewed in three cities:

    • Montreal Preview– April 26 to April 28 at Galerie Heffel Montreal, 1840 Sherbrooke Street West
    • Toronto Preview – May 3 to May 5 at Heffel Gallery Toronto, 13 Hazelton Avenue
    • Vancouver Preview – May 12 to May 16 at Heffel Gallery Vancouver, 2247 Granville Street
    • Live Auction (Vancouver) – Thursday, May 17, 2012, Vancouver Convention Centre, West Burrard Entrance, Room 211, 1055 Canada Place, Vancouver

    – 4:00 PM PST, Canadian Post-War & Contemporary Art
    – 7:00 PM PST, Fine Canadian Art

    For more details on the previews and live auction, and access to the online catalogues, visit www.heffel.com.

    Heffel 2012 Spring Auction Reaches $14.6 Million in Sales for details check www.heffel.com.

  • Scotiabank CONTACT Photography Festival PICKS

    ARTORONTO.CA CONTACT picks:

    With so much choice, 150 venues and a 1000 photographers it isn’t easy picking just ten exhibits to see.
    Phil Anderson: I  look forward to seeing much more than the ones listed but these ten caught my interest and everyone is sure to have their own list as well. In no particular order here are the ten that I chose to see.

    1. All Present or Accounted For by Beverly Owens  /Atti Gallery / 2152 Yonge Street / May 1-31
    2. Yonge Street Rue du Faubourg Saint Denis by Peter MacCallum  /Eric Arthur Gallery /  230 College St. / May 10-August 10
    3. Full Frontal T.O. by Patrick Cummins / Urbanspace Gallery /  410 Richmond St. 1st floor / May 1-31
    4. Two and A Quarter – group exhibition / Lomography Gallery Store / 536 Queen St. / May 3 -31

    Rebecca Cairns, Untitled, 2012

    5. iPhonegraphy – group exhibit / 1X Gallery /11 Davies Ave / April 26- May 25
    6. Forgotten Places  by Marcos Lins  / Galleria 814 /  814 St. Clair W./May 1- June 1

    Marcos Lins, Medieval Darkness, 2011

    7. New Suburban Photomat  by Chris Grismer / Don’t Tell Mama /108 Ossington Ave / May 1-31

    Chris Grismer, Landscape #1, 2011

    8. Public: Collective Identity/Occupied Spaces – group exhibit / MOCCA   952 QueenSt. W. / April 28-June 3
    9. Berenice Abbott: Photographs / AGO / 317 Dundas / May 23- August 19
    10. Photographie – group exhibit / Arsenal Toronto /  45 Ernest Ave. / April 20-June 9

    Emese Krunak-Hajagos: It is more than you can see in just a few days, so this will be my program for May, day after day. It is really hard to chose, they are all interesting in some way.

    1. Lynne Marsh: Upturned Starry Sky / Contact Gallery /80 Spadina Ave 310 /April 28–June 15
    2. Berenice Abbot: Photographs / AGO / 317 Dundas / May 23- August 19
    3. Gender and exposure in contemporary Iranian photography- group show /Gallery 44 Centre for Contemporary Photography/401 Richmond St W 120 / May 4–June 9
    4. Matilda Aslizadeh: Still life / Pari Nadimi Gallery /254 Niagara St / April 5–May 26
    5. Looking Askance by Jamie Campbell /Gladstone Hotel 4th floor / 1214 Queen St W / May 2–June 2

    Jamie Campbell, Lay the ghost to rest, 2011

    5. Public: Collective Identity/Occupied Spaces – group exhibit / MOCCA   952 QueenSt. W. / April 28-June 3
    6. Toronto Transformed – group show /Akasha Art Projects / 511 Church Street St 200 / April 26–May 26
    7. Forgotten Places  by Marcos Lins  / Galleria 814 /  814 St. Clair W./May 1- June 1
    8. Toronto: The Bones of you by Mandeep Flora /Hart House /7 Hart House Circle, University of Toronto / April 30–May 27

    9. Memory by Nancy Rose/Wychwood Barns Community Gallery /76 Wychwood Ave /May 22–31

    Nancy Rose, I hope you don’t fall, 2011;2012

    10. New Suburban Photomat  by Chris Grismer / Don’t Tell Mama /108 Ossington Ave / May 1-31

    Steve Rockwell:

    1. Lynne Cohen: Nothing is Hidden / Design Exchange / 234 Bay St /  May 3–June 30
    2. Disembodied Landscape by Victoria Piersig / Arcadia Gallery / 680 Queens Quay  W / May 5–27

    Victoria Piersig, Penguin and Bark Europa, 2011

    3. Public: Collective Identity/Occupied Spaces – group exhibit / Richard Mosse, Noh Sontag / MOCCA   952 QueenSt. W. / April 28-June 3
    4. Between Fantasy and Reality: Contemporary Photography from Cambodia (Chan Moniroth, Vandy Rattana) / Art Square Gallery / 334 Dundas  St W / May 8–June 4
    5. Vantage by April Hickox / Katzman Kamen Gallery / 80 Spadina Ave  406 /  May 10–June 2 /

      April Hickox, Porthole 1, 2011, Courtesy of Katzman Kamen Gallery.

    6. Glass Ceiling by Jill Greenberg / O’Born Contemporary /  131 Ossington Ave / April 28–June 2 /

    Jill Greenberg, American Girl Doll, 2010, © Jill Greenberg, courtesy of O’Born Contemporary, Toronto, Canada.

    7. Suzy Lake: Untitled / Georgia Scherman Projects / 133  Tecumseth St  / April 20–May 26
    8. Elegy by Deborah Samuel / Royal Ontario Museum / 100 Queen’s Park Cres /   March 29–July 2
    9. Yonge Street Rue du Faubourg Saint Denis by Peter MacCallum  /Eric Arthur Gallery /  230 College St. / May 10-August 10<
    10. Crumbled Empire by Andrew Rowat / Elaine Fleck Gallery / 888   Queen St W / May 1–29

  • Exposed 2012

    May 3 – 23, 2012
    Opening: Thursday, May 3, 7 – 10 p.m.
    THE GLADSTONE HOTEL
    Second Floor Lobby & Art Bar
    1214 Queen West.
    Toronto, ON, M6J 1J6
    T: 416.533.1374
    E: david@blttogo.com
    www.SpeakEasyTO.com
    Hours: 12p.m. – 5p.m. Daily

    Exposed 2012

    Be.Here.Now

    SpeakEasy’s Annual Photography show

    The Gladstone Hotel in collaboration with Toronto�s SpeakEasy Event is pleased to present exposed 2012 as part of the 2012 CONTACT Toronto Photography Festival. Exposed 2012 will showcase the work of established and emerging contemporary photographers.

    The exhibition is curated by Ozant Kamaci and David Brown.

    This year, exposed 2012 will include the work of three feature artists who have been invited by the curators to participate. The work of these international photographers reinforce exposed 2012‘s commitment to presenting new and innovative work that pushes the boundaries of contemporary photography.

    Featuring: Chris Ironside, Shirin Fathi & Joseph Devitt Tremblay

    With works by:
    Brian Barrer, Mark Belvedere, Genevieve Blais,
    Maxime Bocken, Zoe Bridgman, Julie Castonguay,
    Daniel Chiu, Shirin Divanbeigui, Gillian Foster,
    Matthew Fung, James Helmer, Adam Johnston,
    Catherine Jones, Anna Keenan, Namrita Kohli,
    Kyungmin Lee, Bernadette Leno, Ralph Martin,
    Marta McKenzie, Melissa Mercier, Robert Quance,
    PM Rendon, Tom Ridout, Rachelle Sabourin,
    Annette Seip, Mafalda Silva, The Dopamine Collective,
    Akas Tarmaji, Natalie Viecili, Esther Vincent,
    Wanted Media, Wioletta Wesolowski, Nicola Woods,
    Aleksandra Woszczyna, Alice Zilberberg.

     

     

     

     

  • SHEEP NATION by Davide Luciano

    May 3 – June 3, 2012
    Opening: Thursday, May 3, 6–9 p.m.
    PENTIMENTO FINE ART GALLERY
    1164 Queen Street East
    Toronto, ON, M4M 1L4
    T: 416.406.6772
    E: rockinrolland@sympatico.ca
    Hours: Wed–Sun 12–6 p.m.

    SHEEP NATION:  Is Consumerism Robbing Us of Our Individuality?

    In a world desperate for uniqueness and originality, the greatest irony may be that we ultimately succumb to “following the herd”. Whether we like it or not, we the “sheeple” have become fervent disciples of a globalized economy, worshipping omnipresent consumerism. Sheep Nation a series of photographic works by Montreal-based contemporary artist Davide Luciano, explores this fertile ground through a characteristically satirical yet compassionate lens.

    This large-scale photographic series includes 23 intimate and introspective portraits of sheeple.
    Behind every mask lies a personal truth, an innocence, a sense of individualism, a longing to be seen and heard. The 6 mise en scène depict people unable to think for themselves. Allowing the influences of different forms of media to undermine their own identity and wander mindlessly in herds, like sheep.

    With the help of a special effects make-up artist to create prosthetic masks, the 3 hour transformation began. The use of product branding in each scene puts forth the idea that we live in a world where we are slaves to consumerism and where advertising has us chasing a need to be accepted.

    Davide Luciano is a conceptual and fine-art photographer/filmmaker based in Montreal, Canada; He creates large-scale photographic prints that are cinematic in scope and compelling in content. Every photograph is cast and staged meticulously, adding to the intriguing narrative and sense of satire that surrounds these stunning photographs. The work is detailed and vibrant with amazing surrealist qualities that put the imagination to the test.

    Davide has alternated between street projects and choreographed tableaux to create suggestive bodies of work that consciously aim to build and communicate an alternative kind of photographic truth.

  • Picasso: Masterpieces from the Musée National Picasso, Paris

    Deux femmes courant sur la plage (La Course) (Two Women Running on the Beach [The Race]), 1922 ,Gouache on plywood, 32.5 x 41.1 cm. Pablo Picasso gift-in-lieu, 1979, MP78 Musée National Picasso, Paris(C) Succession Picasso, 2011 (C) RMN / Jean-Gilles Berizzi

    May 1 – August 27, 2012
    ART GALLERY OF ONTARIO
    317 Dundas Street West
    Toronto, ON M5T 1G4
    T: 416.979.6648
    www.ago.net
    Hours: Tue & Thurs–Sun 10–5:30, Wed 10–8:30

    Art Gallery of Ontario (AGO) presents a major survey of masterworks by the most inventive and influential artist of the 20th century, Pablo Picasso. Picasso: Masterpieces from the Musée National Picasso, Paris features more than 150 highlights from the Musée’s unparalleled collection, including paintings, sculptures, prints and drawings. The exhibition will be on view at the AGO for just 17 weeks, from May 1 through August 27, 2012.

    The collection of the Musée National Picasso, Paris comprises more than 5,000 works that Picasso kept for himself and his family over the course of his career, ranging from informal sketchbooks to iconic masterpieces. Picasso: Masterpieces from the Musée National Picasso, Paris features is touring the world while the Musée undergoes a multi-year renovation, scheduled for completion in 2012.

    “Presenting Picasso masterpieces to Canadian audiences is a major accolade for our country and the Province of Ontario,” said President of the AGO Board of Trustees Tony Gagliano.  “The AGO is most proud to host these artworks and honoured to provide the opportunity to experience one of the art world’s greatest masters.”

    Picasso: Masterpieces from the Musée National Picasso, Paris is curated by Anne Baldassari, chairman and chief curator of collections of the Musée National Picasso, Paris. Elizabeth Smith, the AGO’s executive director of curatorial affairs, will oversee the exhibition’s installation at the AGO. The exhibition is co-organized by the Musée National Picasso, Paris and the Art Gallery of Ontario.

    Please also check out our News of the show at http://www.artoronto.ca/?p=2333

  • “Crossing Paths” by Ingeborg Mohr and Hanna Back

    April 24 – May 12, 2012
    Art Party: Friday, April 27, 7 – 9 p.m.
    WELLINGTON STREET ART GALLERY
    270 Wellington Street West, Suite 105
    (between John Street & Blue Jays Way)
    Toronto, ON
    T: 647-352-3463
    wellingtonstreetartgallery.ca
    Hours: Tues-Fri 12–6, Sat 12–4 p.m

    “Crossing Paths” paintings by  Ingeborg Mohr, ceramic sculptures by Hanna Back

    “We shall not cease from exploration, and the end of all exploring will be to arrive where we started and know the place first time.” T.S.Eliot

    Over the years, the paths of gallery owner, the painter, and the ceramist crossed many times, in many forms, sometimes known, but mostly misteriously. In this exhibit, Patrick McNeill, owner of the Wellington Street Art Gallery, finally brings together the paintings of Ingeborg Mohr, and the ceramic sculptures of Hanna Back, in an exploration of signs, symbols, and crossing paths.

  • System D presents a One-Night Event

    April 24, 2012
    One-night event: Tuesday, April 24, 6 p.m – midnight
    Venue: The Melody Bar & Art Bar
    THE GLADSTONE HOTEL
    1214 Queen West
    Toronto, ON, M6J 1J6
    T: 416.531.4635

    The artists in this exhibition embrace the principles of self-reliance, improvisation, stealth and DIY. Putting all of this to work in the service of presenting their work to the public, they have taken charge of the entire venture from the moment of creation to the final presentation at the Gladstone Hotel. Their works of art and musical performances will come together in a one-night event to celebrate the arrival of a “spontaneous system, ruled by the spirit of organized improvisation.

    Prints, Sculpture, Video, Installations and Music
    Special Guest Performance By: District 5 (http://www.myspace.com/district5music)

    Artists:

    Laura Biggs, “I am attracted to uncomfortable perspectives, balanced compositions acquired through overlapping and layering, extreme contrasts, distorted concepts such as Exquisite Corpse drawings, mixed media, fragmentation and blind contour drawings. I also document the aging process and the transformation of a single idea over time within organic materials. My work explores the realm of decay, allowing the cycle of decomposition and the transformation from solidity to impermanence to transpire.”

    Ruth Ho, “To me, art is about lived experiences, a part of life. For some reason, my artwork is often inspired by subjects and events that annoy me. These are usually memories that relate to my childhood, or experiences and daily observations from more recent times. Through my work I scrutinize my fears and anger, as well as critiquing social issues that concern me.”

    Stefanie Petoklep, “By manipulating portraits of family members to emulate smoke, it is in turn this illusion of smoke that becomes a visual metaphor for the blurring and fading of memory and the ability to recall details of the past. The varying degree of visibility of the facial features is a reflection of varying degrees of remembrance and recollection. Ultimately, each image of smoke serves as an individual portrait, each one unique so as to correlate to my own personal memory of them. “

    Angelika Turlik, “The current series are screen prints from scanned and photographed leaves, branches, grass and rocks. I work with photography, computer editing programs and printmaking to capture and stretch my contemporary senses. These prints are a continuation of other photography-based prints. Capturing moments and making beautiful contemporary screen prints is what I love to do.”

    Nicolas Pearson, “I often notice imagery that already exists in the world (such as flaws, stains and marks left by others) and I allow these pre-exiting traces to influence where I add my own marks, and also the types of images I draw. In my recent work I endeavor to create compositions that are uncontrolled and randomized by using surrealist methods, in this case by inviting other artists to print on a large-scale collaborative canvas. It has become a conglomeration; a print project where I work and rework my imagery based on what the other artists have printed before me.”

    Daniel Deus, “The two subjects I have focused on are broken skateboards and street art that has been painted over. The broken skateboards are something that I have collected since I was a kid. By printing directly from the broken skateboards onto Mylar, I am bringing attention to the details of each individual board, traces of the scratches, breaks and imperfections accumulated through travelling and scraping against the hard surfaces of urban landscapes.”

    Olga Kouptchinski, “I reinterpret the decorative style of Celtic knots using the fluidity and form of the human body. The body and it’s limbs become the pieces of cloth within an interlace design. In my latest work I use twisted heaps of torsos and limbs to reinterpret the illuminations of my choice.”

    Valerie Oba,“I have always been interested in the cycle that nature undergoes in relation to my art. I like to study my subject matter through drawings to get a better understanding of their form and using that as the foundation of my pieces. My current work juxtaposes organic life with manmade structures in order to represent nature taking over construction.”

    Meaghan O’Brien, “Using found imagery I attempt to duplicate, manipulate and recreate the visual sources that although new to me, hold some importance to the older generations of my family. Lighting, vagueness and fragility are key elements that aid in holding the work together.”

     

     

     

  • Building storeys 2012

                         

    May 2 – 31, 2012
    Opening: Wednesday, May 2, 7 – 11 p.m.
    STEAM WHISTLE GALLERY
    255 Bremner Blvd.
    Toronto, ON, M5V 3M9
    T: 416.362.2337 x 246
    E: info@steamwhistle.ca
    www.steamwhistle.ca
    Hours: Mon–Thurs 12–6, Fri–Sat 11–6, Sun 11–5 p.m.

    During the month of May, Steam Whistle Brewing Gallery will take part in the Scotiabank CONTACT Photography Festival. This art exhibit is in association with Heritage Toronto and is pleased to announce the third edition of its successful photo exhibition, Building Storeys.

    Through the adventurous lens of the Building Storeys photography group and Heritage Toronto, intriguing images of often unseen rail and marine transportation infrastructure in Toronto will be unveiled. Building Storeys changes the perception of transportation heritage in our city, by revealing the hidden beauty of these structures. The exhibit is co-curated by Christopher Hume of the Toronto Star and Gary Miedema, Chief Historian at Heritage Toronto.

    Featured in this year’s free exhibit are 24 images of Toronto’s notable – and in some cases closed to the public – rail and marine transportation sites:

    • Queen’s Wharf Lighthouse and Gibraltar Point Lighthouse
    • The Trillium Ferry
    • Toronto Transit Commission Maintenance Yards and Subway Stations
    • CN Rail Yard
    • Rail Bridges over Landsdowne Ave, Bathurst St, Dundas St and Carlaw Ave, and in the Don Valley

    Heritage Toronto works with the citizens of Toronto to advocate for, preserve, and promote a greater appreciation for our city’s rich heritage. Through partnerships with local community groups and volunteers, Heritage Toronto works to heighten awareness of our shared history by providing city-wide programs and services. Programs include free neighbourhood walking tours, the annual Heritage Toronto Awards and William Kilbourn Memorial Lecture, and a heritage plaques and markers program. www.heritagetoronto.org

    The Building Storeys Collective is composed of seven Toronto photographers:

    • Robert Dyke,
    • Sean Galbraith,
    • Rick Harris,
    • Mathew Merrett,
    • Timothy Neesam,
    • Olena Sullivan,
    • Toni Wallachy
  • Fordlandia by Dan Dubowitz

    May 1 – 31, 2012
    Opening: Saturday, May 5, 2–4 p.m.
    BAU-XI PHOTO
    340 Dundas St. West
    Toronto, Ontario, M5T 1G5
    T: 416.977.0600
    E: toronto@bau-xi.com
    www.bau-xiphoto.com
    Hours: Mon-Sat 10–5:30, Sun 11–5:30

    Fordlandia: The Lost City of Henry Ford
    Part of CONTACT, 2012

    Fordlandia is the first in the series ‘Megalomania’. This series of photographs, completed in October 2011, reveals what has become of Fordlandia, the American town built in the Brazilian rainforest by infamous tycoon Henr y Ford. Today, the town is a postindustrial wasteland, complete with sidewalks and fire hydrants, prefabricated industrial sheds from Michigan and American clapper board houses. More curious still is that, in spite of no new economy or employer in the area, Fordlandia is coming back to life, and in recent years the population has risen from a few hundred to two thousand. Alongside the graveyards of metal machine sheds and a hospital being ingested by the rainforest, there are houses being restored, a well tended graveyard, and the Ford-built schoolhouse is full.The giant water tower, still one the largest structures in the Amazon, is gleaming like an alien rocket.
    The world followed Fordism in industry with great interest in the twentieth century. As Fordlandia is rediscovered, it provides the opportunity to reflect on Fordism in the jungle, and discover the project that ushered in the new epoch of American imperialism and the forefathers of today’s multinationals committing ecocide with impunity. Hubris fuelled Ford’s project, and after the company left, hubris remains.

    Dan Dubowitz has exhibited internationally and has been the subject of numerous publications, including three books, titled “Wastelands,” “Fascismo Abbandonato,” and “After the Occupation”.