Author: artoronto

  • 2012 Visiting Artists Residency Exhibition

    May 25 – June 23, 2012
    Opening: Friday, May 25, 7 – 9 p.m.
    Artist Talks with Bell & Lane: Friday, May 25, 6 – 7 p.m.
    Open Studio Gallery
    401 Richmond Street West #104
    Toronto, ON M5V 3A8
    T: 416.504.8238
    E: office@openstudio.on.ca
    www.openstudio.on.ca
    Hours: Tue – Sat 12 – 5 p.m.

    Open Studio is pleased to present the first of two 2012 Visiting Artists¹ Exhibitions featuring Toronto-based artists Mark Crofton Bell and Catherine Lane, May 25 ­ June 23, 2012. Each year, Open Studio selects four professional artists with or without printmaking experience to create works in the print medium of their choice, working closely with a professional print artist to realize their projects. These exhibitions by Bell and Lane are the result of this intensive work period.

    Mark Crofton Bell, Crime Spree, aquatint, sugarlift, open bite on paper 8″ x 12″, 2011. Printed by Laine Groeneweg under the auspices of the Open Studio Visiting Artist Residency, 2011-12

    Mark Crofton Bell has long used media imagery culled from newspapers, and in his first foray into printmaking he continues this trajectory. Inspired by his interest in how the narrative of a photograph shifts once it is rendered in a different medium and separated from explanatory text, during his Visiting Artist Residency at Open Studio, Bell has created a series of aquatint prints based on newspaper photographs, which distill the current state of the world into a cross section of images. Despite attempts at accuracy, there are inevitable imperfections inherent in the translation process; imperfections that are a result of allowing the etching process to dictate as much as possible the outcome of the final image. The various constraints of etching tend to emphasize this (mis)translation, resulting in prints that, although similar to the original source material, remain independent of it. A text by Katie Bethune-Leamen accompanies the exhibition.

    Catherine Lane, detail from the Farm Series, screenprint on paper 30″ x 22″, 2011. Printed by Daryl Vocat under the auspices of the Open Studio Visiting Artist Residency, 2011-12

    Through the use of drawing-based installation, Catherine Lane focuses on the idea of the multiplicity of fragmented storytelling, where connections and conclusions are not definitive, but where the focus is instead placed on the numerous possibilities of what the story can be. During her Visiting Artist Residency at Open Studio, Lane has created Farm, a series of prints wherein an image of a barn structure acts as the base for each individual print. Providing a setting for the narrative, the barn serves as the one constant, over which multiple images/fragments of the story are printed. While the barn exists as a fixed point in time, the images around it occur at various moments in the narrative timeframe, collapsing in on one another, yet anchored to a single location. The narrative information given varies from one print to the next and allows for interpretive variation. A text by Sholem Krishtalka accompanies the exhibition.

    For more information please visit www.openstudio.on.ca/images_site/bell-lane-brochure.pdf.

  • ” Drawn From” by Wayne Moore

    Pentimenti #8. Lilly, acrylic, 24  x 24 inches

    May 18 – June 10, 2012
    Opening: Saturday, May 19, 3 – 6 p.m.
    FRAN HILL GALLERY
    285 Rushton Road
    Toronto, ON, M6C 2X5
    Tel: 416.363.1333
    E: franhillgallery@bellnet.ca
    Hours: Fri–Sun 11–6 p.m or by appointment

    “The drawings, paintings and sculptures in the show are “drawn from” works of two series of paintings both dealing with fragmented surfaces, an evolving flux.

    In the Reflection Series, a smooth surface of the reflected is fractured by another directional force. Shapes and colour flow together and move apart. The analogy speaks to the demands that life makes for time reflecting what you choose  to attend to and what to ignore. Concentration stabilizes and clarifies the state of flux of  being pulled in different directions.

    Pentimenti paintings come from a series based the sub-surface layers, known as pentimento. The marks within the paintings carry the trace of  the history of the artist’s search for the image. The result is an ambiguity between the surface and the depths, ground and background, between the seen and the unseen and provides the imagination with the space to wander, and to wonder. With each layer of pentimenti, the remains, show the progression of time, movement and mark the changes.

    The Sculptures are mainly figuration, working with shape and pose to evoke an emotion. Surface treatment is more impressionistic than representative. Although the figure is not the subject matter, it still exerts a continuing influence.” Wayne Moore, May, 2012

     

  • Savage Garden by Sadko Hadzihasanovic

    Opening: Friday, May 11, 7-10 pm
    Paul Petro Contemporary Art

    Gallery owner Paul Petro (left) and artist Sadko Hadzihasanovic

    The opening of Sadko Hadzihasanovic’s Savage Garden at Paul Petro Contemporary Art exhibited Sadko’s series of works based on the motif from Jouy. His whimsical interpretations of social and cultural implications painted on the surface of pieces of wallpaper.

    Installation view

    Sadko’s painted extensive portraiture based body of works is well embedded within the background of toile de Jouy and it also was gleaming  with juxtaposition to put them together as a whole. It is also fun to peek at the humor of the artist through finding several contemporary details hidden in his works such as sunglasses and an electronic razor contrasted within the atmosphere created by the antique wallpapers and the reference of historical event.

    Installation view with visitors

    Sadko Hadzihasanovic was born in 1959 in Bihac, Bosnia. He studied at the Academy of Fine Arts in Sarajevo, Bosnia, achieved MFA at University of Belgrade, Serbia and immigrated to Toronto in 1993. Hadzihasanovic has participated in over sixty exhibitions in various galleries all over Canada. He is a multimedia artist who often works with acrylic and oil on silk screen prints, and found objects. Sadko thoroughly applies his peculiar sense of wit referencing to popular culture using collage and mixed media.

    Installation view with visitors

    Text and Photo by Aeree Rho

  • David Faltenhine

    Watching the interplay of light and shadow, as they chase each other and caress the skin of a human body can be quite delightful.  The curves and undulations formed by bones, muscles, sinews and tendons pressing outward against skin causes interesting patterns and shadows to be created.

    A camera, and the aperture setting of its lens, introduces another element, depth of field, to the mix, causing select details to emerge, while other parts of the image fade into obscurity.  As the distance between camera and subject diminishes context is lost and an abstract quality slowly asserts itself.

    The addition of Yoga poses, performed by a talented and flexible model, contributes a sense of mystery.

    Now stripped of colour, through black and white image processing, the human body appears to have dissolved into a beautiful collection of lines, curves and shades of grey.

    Is that an arm or a leg…?

    A bum or a breast…?

    Contact: david.faltenhine@gmail.com Web: dfalt.paradepro.com

    David Faltenhine
    original: 11×14 inches
    framed and matted to 16×20 inches
    $300 each

  • Fundraiser / Tom Legrady

    In an earlier incarnation, Tom Legrady designed and operated theatre lighting for VideoCabaret International and Toronto theatres, including Theatre Passe Murraile, and Factory Theatre Lab. Returning to the arts from a career in software, he has photographed for Vera Frenkel, Nuit Blanche and Gallery 345. His first exhibit, “Transformations: Trona & Toronto”, held at Gallery 44’s Members’ Gallery in September, 2012, contrasted unoccupied residences near Toronto’s High Park with abandoned, vandalized, gutted homes in California’s Mojave Desert.  His work continues to explore the aesthetics of abandonment, focusing here on the relics left on their neighbours by absent structures.

    Tom Legrady
    Urban Vestiges series 1, 2 & 3
    mounted on dibond
    24″ x 36 ”
    $700 each

  • BURNING BIRCH X3: the Worldwide Film Festival of Short Art Films By Artists

    BURNING BIRCH X3: the Worldwide Film Festival of Short Art Films By Artists

    May 26, 2012, 9:30 p.m.
    $5 cover
    The Trash Palace
    89B Niagara Street
    Toronto, ON, M5V 1C3
    T: Kathleen Reichelt, 416.561.2951 or 647.344.4690
    E: Kathleen Reichelt, kfreichelt@gmail.com

    253469 presents BURNING BIRCH X3: the Worldwide Film Festival of Short Art Films By Artists.

    Toronto-based artist project 253469 presents a one night only worldwide film festival of short art films by artists on Saturday May 26 at the Trash Palace. This program includes 15 films by 13 artists from NYC, Paris, Winnipeg, Montreal, Toronto, Los Angeles, Argentina, Latvia and Germany.

    Multi disciplinary artist and art filmmaker Wesley Rickert selected the films from Vimeo channel 253469, an online community he created to exhibit short art films made by artists. The films range from computer animated experiments to direct painting on the film surface. Made of punk poetry aesthetics, these shorts are decidedly not documentary in nature.

    The films screening at the Trash Palace on May 26th “are the misfits and hard to categorize that don’t get shown at other film festivals” says Rickert, “Many films often don’t fit with the themes that festivals have in mind. These films are unorthodox, avant garde efforts independently produced by artists from around the world. The films share surrealism, absurdity and the aesthetics of raw punk poetry.”

    Audiences can expect films with titles of Hack Your Own Leg! (Latvia, 12 mins) and Sommeil Paradoxial (France, 2 mins). In addition to the screening, the punk jazz noise band 253469 will perform with the silent projection of two new short films by Wesley Rickert:  Blue Whiskey, 2012 (15 mins) and Black Plastic Fork, 2012 (2 mins).

    About 253469

    253469 is not ruled by commerce, academia, politics or common sense. The artist project 253469 began in 2009 and has created opportunities for collaboration and participation in short art films, live performance, screenings, exhibitions and installations with artists pursuing experimental and avant-garde work. Based in Toronto, the 253469 project has worked with such artists as Maggy Perry, Art Szombarthy, Ullysses Castellanos, Eugénie Cliche, Istvan Kantor, Jubal Brown, Brooke Stubbings, William Davison, Christina Kozak and Henry “Banger” Benvenutti.

  • Teri Donovan

    Teri Donovan works in mixed media and is based in Toronto. She’s interested in paradoxes that shape awareness, thoughts, and behaviours, and deals with themes related to perception and memory, and the impact of time on identity.

    Donovan graduated from York University, and the University of Toronto, studied at the Ontario College of Art, the Toronto School of Art, and The Maryland Institute, College of Art in Baltimore, and is represented by The Red Head Gallery. Recent exhibitions include: “An Archaeology of Time”, The Red Head Gallery, June 22 – July 16, 2011, and “Half-Life”, Hamilton Artists Inc., July 1- Aug. 14, 2010.

    Her work was also featured in Carte Blanche Vol.2: Painting, a survey of contemporary painting in Canada, 2008.

    Teri Donovan
    Blind Spot
    mixed media on wood panel
    16 x 16 inches
    $600

    Teri Donovan
    The Return
    mixed media on wood panel
    16 x 16 inches
    $600

  • Constructions of Feminity by Ingrid Mida

    Ingrid Mida, “Stephanie”, mixed media, 2012.

    May 26 – June 17, 2012
    Opening: Saturday, May 26, 2 – 5 p.m.
    loop Gallery
    1273 Dundas Street West,
    Toronto, Ontario, M6J 1X8
    (3 doors west of Dovercourt).
    T: 416.516.2581
    E: loopgallery@primus.ca
    http://loopgallery.ca
    Hours: Wed – Sat 12 – 5, Sun 1 – 4 p.m.

    Loop Gallery is pleased to announce exhibitions by loop member Ingrid Mida entitled Constructions of Femininity.

    This latest installation by Ingrid Mida is an exploration of the artifice of feminine dress and identity. This work juxtaposes the extreme silhouettes of the 18th century dress with the armour of the modern day hockey warrior in a whimsical celebration of the power of sport to redefine femininity. Inspired by young women hockey players who display feats of courage, strength and power, hockey equipment has been transformed with feminine signifiers of ribbon, sequins and beading, and then paired with historical silhouettes made from mesh.

    Ingrid Mida is a Toronto-based artist, and author of the popular blog Fashion is my Muse! She was the keynote speaker at the Costume Society of America mid-west conference in the fall of 2011 on the topic of “When does Fashion Become Art?” and will speak at the Fashion Tales Conference in Milan in June 2012 on “The Metaphysics of Fashion Blogging.”

  • Entourage by Lorène Bourgeois

    Lorène Bourgeois, “White Mantle”, conté drawing on paper, 57” x 45 ¼”, 2012

    May 26 – June 17, 2012
    Opening: Saturday, May 26, 2 – 5 p.m.
    loop Gallery
    1273 Dundas Street West,
    Toronto, Ontario, M6J 1X8
    (3 doors west of Dovercourt).
    T: 416.516.2581
    E: loopgallery@primus.ca
    http://loopgallery.ca
    Hours: Wed – Sat 12 – 5, Sun 1 – 4 p.m.

    Loop Gallery is pleased to announce exhibitions by loop member Lorène Bourgeois entitled Entourage.

    With Entourage, Lorène Bourgeois juxtaposes large-scale drawings on paper with smaller paintings in oil on slate. Her images investigate the ambiguity of the face, the head, and the body, disclosed or obscured through clothing, framing and head-dress. Here, head-dress is examined not only for its social or utilitarian functions, but also as a framing device and a theatrical artifact. A woman’s bonnet, the veil of a nun, or a bow tied upon a girl’s head are reconsidered in these works as objects of strange beauty.

    Lorène Bourgeois lives and works in Toronto. Her work has been exhibited across Canada, as well as in France, Korea, Russia, and the U.S. She is represented in numerous collections, including the Canada Council Art Bank, the Banff Centre for the Arts, The Department of Foreign Affairs, Ernst & Young, the MOCCA, the National Bank of Canada, and the Hart House and Donovan Collections at the University of Toronto.

  • Effigies

    Christy Langer, Reprise, resin, fibre glass, oil paint, styrofoam, string, horseshoe nail, & wood, 2009

    April 24 – May 27, 2012
    Opening: Thursday, April 26,  7 – 9 p.m.
    LIVING ARTS CENTRE
    4141 Living Arts Drive,
    Mississauga, ON L5B 4B8
    T: 905.306.6161
    E:cole.swanson@livingarts.on.ca
    www.livingartscentre.ca
    Hours: Tue – Sat: 10 –4, Sun: 1 – 4 p.m.

    Effigies positions the art object as an expression of the unbridled human psyche. Artists Joel Alexander, Aleks Bartosik, Christy Langer, and Srdjan Segan create archetypal works as a reaction to complex contemporary social and political issues. Like our Palaeolithic ancestors, each artist reconciles their own personal desires, tragedies and traumas through the ritual construction of physical objects and characters. Curated by Cole Swanson.

    An installation of Srdjan Segan’s Long Stretched Figures is held in the LAC Atrium. A refugee from the former Yugoslavian Republic of Croatia, Segan fled his war-torn home in search of political respite. After studying anatomy and illustration in Serbia, he moved to the Ontario where he developed this reactionary collection. Standing over 30 feet tall, Segan’s giants are a metaphor for human perseverance in the face of war. Alongside traditional materials, he uses coffee to remind us that violence is an everyday reality for communities around the world. His figures are therefore victims and victors of difficult circumstances; they remind us of humankind’s capacity for creation in an environment of overwhelming destruction.

    The Gallery  include artworks that communicate personal struggles and unhindered desires. Joel Alexander’s mixed-media glass sculptures containing natural artefacts like branches, feathers and quills harvested from city spaces reflect a desire to strike a balance between urban and rural life. Aleks Bartosik’s Guardian Beast large-scale papier-mâché and drawing performance merge identity-based narratives with fantastical mythology. Finally, Christy Langer’s lifelike animal sculptures revisit historical artworks and archetypal imagery to reposition the past into the present.
    Segan’s installation will be accessible in the Living Arts Centre Atrium daily from 6 am – 12 am. A drawing performance by Aleks Bartosik will be held during the opening reception at 7:00pm on Thursday, April 26.

  • Marco Buonocore

    Marco Buonocore is a self-taught photographer who works within the black and white documentary tradition. Taking cues from the practices of photographers like Andre Kertesz and Lee Friedlander, he has been documenting streetscapes in the neighbourhoods of major Canadian cities in an attempt to capture the unique patterns and rhythms of modern life.  He prints and tones his photographs in a darkroom on fibre based paper.

     Marco Buonocore
    Untitled #1
    Silver Gelatin Print
    14 x 14 inches
    $600

     Marco Buonocore
    Untitled #2
    Silver Gelatin Print
    14 x 14 inches
    $600

  • Christian McLeod

    “Painting is my way of remembering and interpreting beauty and destruction. I begin by viewing reality as composed of layers of colour and shape, observing the way light reflects off an object, and the tension objects generate when placed next to or on top of each other. Landscapes from a great distance become a single object. I try to capture the shift between perceiving the landscape as an organic whole, and seeing the particles that comprise it – buildings, rivers, vehicles, birds, harbours, roadways, minerals, machinery, aircraft, farms, data cables, people in movement.

    Heaps of paint are placed, plotted and pushed. For some works this process can take years. For others, the image forms within days. I love the tactile movement of paint across the canvas, but fully half my time in the studio is spent looking, searching the surface of the painting for points of entry. Paintings are worked and reworked, images accumulate. I tend to work on several pieces simultaneously, exploring different themes in each one.” – Artist’s statement: http://www.christianmcleod.com/statement

    Christian McLeod
    Be Still, 2011
    oil on canvas 10 x 30 inches
    $800 SOLD at La Parete Gallery

    Christian McLeod
    The Still of the Night, 2011
    oil on canvas 10 x 30 inches
    $800. Auction starts at $600

    Christian McLeod
    The Last of Rexdale, 2011
    oil on canvas
    20 x 14 inches
    $750. Auction starts at $600

     Christian McLeod
    Tommy Douglas Was Here, 2005
    Ink on Paper
    24 x 18 inches
    $250